Nick’s work has birthed a movie starring Luke Skywalker about evil pineapples, crush Coca-Cola cans for their global 2026 FIFA World Cup campaign with Peter Drury, sculpt modern art on view at LACMA, compose an orchestra, deploy a dystopian art installation for Dove, film a super bowl spot in Frank Sinatra’s house, premiere a documentary, pen Sprite's new global tagline, design a controller out of a beer can, sell spaceships, write copy in The New York Times, rebrand the entire sport of baseball and he still feels like he’s just getting started.

In 2026, he was the global creative lead, alongside his partner Nick Stoner, for Coca-Cola’s FIFA World Cup campaign with the work running in over 190 countries, and oversaw a music video to promote the first ever remix of Van Halen’s “Jump”.

In 2022, his work for Clash of Clans was awarded two Grand Prix at Cannes. It also won the Film Grand Clio, Two Grands at Clio Entertainment, Best of Gaming at the One Show and the Webby for Best Documentary, propelling Wieden + Kennedy Portland to Independent Agency of the Year and onto Fast Company's Most Innovative Companies list. In 2021, he was named to Adweek’s Creative 100 and his work with Alex Prager at DDB helped LACMA open their doors to the public for the first time since the Pandemic began - leading Miller Lite to its first One Show Gold Pencils and Cannes Lions. With over 100 international advertising awards, including a Best of Discipline in mobile, the #1 trending video on YouTube twice, and two Super Bowl spots, he's obsessed with ideas that are simple, powerful, and demand a reaction.

Growing up, he never knew what he wanted to do. His “problem” was that he liked to do everything. Luckily, this may be the only job on the planet where it’s a requirement that you do everything. If you’re like Nick and like doing everything, reach out!

imnickhoward@gmail.com
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